Country & Folk
The music on Deeper Well, the seven-time Grammy winner’s fifth album, is almost chimeric. Rolling acoustic guitars, puffy clouds of strings and synth, warm bass punctuations, layered harmonies, moments of Celtic melody and plenty of room on the tracks for Musgraves’ silvery vocals. On the bright, almost folky title track, the 30-something songstress surveys her life and priorities, recognizing what feeds her, drains her and even examines the childhood she’s left behind on her way to now.
Saturn returns, cardinals embody a dead friend, love is given and taken, streets rush by, belongings are packed and old chapters deserted, new love blooms, jade bracelets serve as talismans, deep lessons emerge, small details define everything, the woods are a refuge and New York City serves as the same gleaming beacon as Oz.
With more than 1 billion streams as a solo artist and two back-to-back #1 singles, Tyler Hubbard's sophomore solo album, Strong, features 13 brand-new songs, including "Back Then Right Now," "Turn" and "Wish You Would."
Austin-born singer/songwriter and multi-instrumentalist Dylan Gossett makes a mark with his dusty instrumentation,
gravelly vocal delivery and emotionally vulnerable lyrics. His debut EP – No Better Time – is out now via Big Loud
Texas/Mercury Records. The project features his viral breakout hit “Coal,” which recently debuted on the Billboard
Hot 100 and peaked at #26 on Billboard’s Hot Country Songs Chart. The EP debuted at #7 on Billboard’s
Heatseekers Albums Chart and received critical acclaim from the New York Times, Billboard and Grammy.com.
Next up, Dylan embarks on his sold-out headline tour of the same name – “No Better Time Tour.”
Rhumba Country [Indie Exclusive Hi-melt Metallic Gold and Autographed Dance Card Included LP]
Vinyl: $29.98 Buy
From Neil’s sleeve notes: “Why do these old songs live so vividly now? They do to me.”
Neil Young with Crazy Horse in all their “Ragged Glory”.
Neil & The Horse have played together for over 50 years and the performances of these songs is
a true highlight of that long relationship.
9 songs on 2 LPs, with the original song titles replaced with selected lyrics. (“Farmer John”,
being a cover, retains its original title.)
The album was recorded in 2023, with this line-up:
Billy Talbot – Bass, vocal
Ralph Molina – Drums, vocal
Micah Nelson – Guitar, vocal, piano
Nils Lofgren – Guitar, vocal, piano
Neil Young – Guitar, vocal, harmonica
Neil: “In the spirit it’s offered…made this for the Horse lovers. I can’t stop it. The horse is runnin’.
What a ride we have. I don’t want to mess with the vibe. I am so happy to have this to share.”
Produced by Mike Elizondo (Fiona Apple, Sheryl Crow), Lake Street Dive’s new album Good Together is an eclectic set of genre-bending songs that could only have come from popular music’s most agile and compelling outliers. Fusing pop, R&B, soul and jazz, Lake Street Dive: Rachael Price (vocals), Bridget Kearney (bass), Mike Calabrese (drums), Akie Bermiss (keyboards), and James Cornelison (guitar), have created the most confident and accomplished recording of their career.
66 is the 17th solo album from Paul Weller, marking his 66th journey around the sun, released on Polydor Records on 24 May. Artwork by Sir Peter Blake. 180g black vinyl. Includes a 12 page full size booklet and large fold out poster.
66 is the 17th solo album from Paul Weller, marking his 66th journey around the sun, released on Polydor Records on 24 May. Artwork by Sir Peter Blake. Includes 12 page booklet.
66 is the 17th solo album from Paul Weller, marking his 66th journey around the sun, released on Polydor Records on 24 May. Artwork by Sir Peter Blake. Indie Exclusive Limited Edition 180g Blue vinyl. Includes a 12pg full size booklet and large foldout poster.
Luke Grimes self-titled debut album on Mercury Nashville features 13 tracks, including “Burn,” “Hold On,” and “Oh Ohio.” Known for his role as Kayce Dutton on the hit television series Yellowstone, Grimes has been making music for years. He closed out 2023 with a sold-out tour after playing fairs and festivals around the country, including
Stagecoach, Pilgrimage Music & Cultural Festival, Under The Big Sky Festival, and more. Grimes grew up playing music in church as the son of a Pentecostal pastor. His father also laid the foundation for the music he loves, introducing him to the works of Johnny Cash, Merle Haggard, Willie Nelson and Waylon Jennings. Now available on
vinyl.
Luke Grimes self-titled debut album on Mercury Nashville features 13 tracks, including “Burn,” “Hold On,” and “Oh Ohio.” Known for his role as Kayce Dutton on the hit television series Yellowstone, Grimes has been making music for years. He closed out 2023 with a sold-out tour after playing fairs and festivals around the country, including
Stagecoach, Pilgrimage Music & Cultural Festival, Under The Big Sky Festival, and more. Grimes grew up playing music in church as the son of a Pentecostal pastor. His father also laid the foundation for the music he loves, introducing him to the works of Johnny Cash, Merle Haggard, Willie Nelson and Waylon Jennings. Indie Exclusive
Clear LP. Limited Edition.
Carly Pearce’s highly anticipated fourth studio album, hummingbird, marks Pearce’s debut as a co-producer and fully represents her new musical chapter – one of forward motion. Following the success of her last studio album, 29: Written In Stone, Pearce leans in to her authentic country sound encompassed by the symbolism of the hummingbird which represents the album’s themes of growth, humility, understanding, playfulness, and optimism.
The Border is legendary country artist Willie Nelson’s 75th solo studio record of new material. Produced by Willie’s longtime collaborator, Buddy Cannon, The Border features four newly penned tracks by the pair combined with a half dozen tunes from some of their favorite songwriters including two cowritten by Rodney Crowell plus Shawn Camp, Mike Reid and Bobby Tomberlin. Backed by some of Nashville’s finest musicians, the album is another instant classic to follow up their last album of new material, A Beautiful Time which won Best Country Album at the 2023 Grammys.
Alisa Amador is a bilingual singer-songwriter and the winner of the 2022 NPR Tiny Desk Contest. Alisa Amador’s music is a synthesis of the many styles she’s voraciously absorbed: rock, jazz, funk and alternative folk, all wrapped in the spirit of the Latin music she grew up with. NPR's Cyrena Touros calls her “a pitch-perfect rendition of my wildest dreams,” and NPR's Bob Boilen calls Alisa "a powerful voice whose tender performance commands attention and fosters connection." Alisa has opened for artists including Hozier, Lake Street Dive, Madison Cunningham, Watchhouse, Hiss Golden Messenger, and countless others. Alisa's soulful singing, poetically incisive lyrics, and syncopated rhythms are likely to make you cry, laugh, and dance all within one set.
"This record is called Multitudes. It is a cognate, meaning that it’s spelled identically and has the same meaning in both Spanish and English. It took months to land upon this title, because no word felt like it could contain the multitudes of these 12 songs - songs of grief, love, fear, anger, and a constant search for belonging. I love this album with all my heart. So much has changed since my last album came out. I almost left music behind, and then won the NPR Tiny Desk contest. I traveled the world. I lost loved ones. I learned a lot, often the hard way. Many tears and many hugs were involved in the making of this album. If you love it, please share it. This job is very difficult. Knowing that you are listening gives me the strength to go on."
“Not a lot of people talk about the true origins of bluegrass music,” says Swamp Dogg, “but it came from Black people. The banjo, the washtub, all that stuff started with African Americans. We were playing it before it even had a name.”
Blackgrass, Swamp Dogg’s remarkable new album, is no history lesson, though. Produced by Ryan Olson (Bon Iver, Poliça) and recorded with an all-star band including Noam Pikelny, Sierra Hull, Jerry Douglas, Chris Scruggs, Billy Contreras, and Kenny Vaughan, the collection is a riotous blend of past and present, mixing the sacred and the profane in typical Swamp Dogg fashion as it blurs the lines between folk, roots, country, blues, and soul. The tracklist is an eclectic one—brand new originals and vintage Swamp Dogg classics sit side by side with reimaginings of ’70s R&B hits and timeless ’50s pop tunes—but the performances are thoroughly cohesive, filtering everything through a progressive Appalachian lens that nods to tradition without ever being bound by it. Special guests like Margo Price, Jenny Lewis, Justin Vernon, and The Cactus Blossoms all add to the excitement here, but it’s ultimately the 81-year-old Swamp Dogg’s delivery—sly and playful and full of genuine joy and ache—that steals the show. The result is a record that’s as reverent as it is raunchy, a collection that challenges conventional notions of genre and race while at the same time celebrating the music that helped make Swamp Dogg the beloved iconoclast he’s known as today.
Out on May 3rd, "Anniversary" is the new studio album from critically acclaimed artist Adeem the Artist. The album was produced by Butch Walker who has produced hits for artists including Weezer, Fall Out Boy, Pink, Katy Perry, Panic! At the Disco, Dashboard Confessional, Avril Lavigne and many others. This record is the continuation of a project that they began four years ago, directing their attention both inwards & outwards simultaneously and to exact correlating values so that they might be able to unbind the inner workings of themself while imagining new tools for stitching the fabric of society together again. It mostly just made some gay people like country music again.
You wanna know how Brian Kelley lives? Turn up the dial on Tennessee Truth. Across 12 pumped-up country anthems, Kelley testifies to the restorative power of rural living, everlasting love, and badass guitars. He sings about John Deere joyrides, front porch swinging, and long nights out where the cattails sway. With rich vocal styling, blistering fretwork, stadium-sized choruses, and heavier-than-hell drums, Tennessee Truth doesn’t just rock – it roars.
For over 20 years, The Decemberists have been one of the most original, daring, and thrilling American rock bands. Their distinctive brand of hyperliterate folk-rock set them apart from the start, releasing nine full-length albums that are unbound by genre and highly ambitious. Now the beloved indie band is back with their first new album in six years, As It Ever Was, So It Will Be Again - not only the longest Decemberists album to date (and their first intentional, proper double-LP) but also their most empathetic and accessible, its 13 songs like semaphores of mutual recognition for our fraught times and faint hope. The first dozen songs are punchy, pithy gems all, reflections on mortality and loneliness, longing and cynicism, expectation and unease. The band animates them brilliantly, pushing out and pulling in at the perfect moments. John Moen practically dances beneath the jangle of opener “Burial Ground,” breathing the life into this song about spiraling toward the end. From the irrepressible “Oh No!" and guileless tenderness and absolute surrender of “All I Want Is You,” to the romantic ghost story that shimmers behind pedal steel in spite of the specter in "Long White Veil," these 12 songs alone would constitute a dazzling Decemberists album, rich with woe and love, anxiety and honesty. But a keening little choir and arid electric guitar invoke “Joan in the Garden,” the band’s first full-on prog escapade since The Crane Wife. Though rooted in doubt, much like the album it ends, “Joan in the Garden” ultimately lands as a celebration of music’s ability to convey valence and ambiguity, to frame an endlessly complicated story in instantly compelling terms.
This, songwriter Colin Meloy will tell you proudly, is the best Decemberists albums and perhaps the ultimate realization of 22 years of work. In many ways, As It Ever Was, So It Will Be Again feels like an aptly titled renewal for The Decemberists. The first full-length release on YABB Records, the band’s own label, after a run of nearly two decades with Capitol. As they were once, here are the Decemberists again, now an independent band empowered by singing stories that sound instantly familiar and convey some bit of hard-won wisdom.
These days, every artist’s album needs to have a story. The music can’t speak for itself.
But after 22 records, why can’t Ani DiFranco’s work speak for itself? Yes, her forthcoming album is shaped by stories — ones about reproductive freedom, the double-edged sword of the pandemic, identity and ever-evolving belief systems that have shaped each of its 11 songs. It was paramount to the folk-feminist hero that listeners not be saddled with preconceived notions while diving into her 23rd album Unprecedented Sh!t. “I believe there is a rhyme and a reason as to why these songs have come together in this way now and I want people to experience this album as a journey, a piece of art, without being influenced by a cacophony of surrounding narratives.”
While many of DiFranco’s albums were made more insularly, she’s opened herself up to collaboration in recent years. For 21 of DiFranco’s 22 albums, she opted to self-produce. With Unprecedented Sh!t, she wanted to try working with a producer and tapped BJ Burton, who produced one of her favorite albums, Bon Iver’s 22, A Million.
The title Unprecedented Sh!t is not only representative of how much of a sonic departure the 11-track album is from Ani’s other work, but also a political and social commentary on the current state of the world. “We find ourselves in unprecedented times in many ways, faced with unprecedented challenges. So, our responses to them and our discourse around them, need to rise to that level.”
“He's the Real Deal” - Bob Harris OBE (BBC Radio 2)
Vincent’s powerful and soulful voice that attracted acolytes such as Bob Harris, Paul Carrack and Mary Chapin Carpenter. In 2016, Harris awarded Robert with his
‘Emerging Artist’ of the year award at the inaugural UK Americana Awards show describing Vincent as “absolutely magnetic” and “the real deal”. In 2018 following the
release of ‘I’ll Make the Most of My Sins’ (AMAUK Album of The Year 2018) Robert was invited to perform on the BBC ‘Old Grey Whistle Test, For One Night Only’
closing the show. It was this performance that would propel him to number 1 and 2 in the iTunes Album and Singles Charts.Maintaining his status as one of the most acclaimed voices in the UK Americana rock scene, Robert’s new songs represent a real left turn for an artist who is ready for something more. The intimacy and introspection of this evolving journey on the album’s songs is captured by the sure hand and keen ear of award-winning producer Ethan Johns whose work with Ray Lamontagne is a real touchstone for Vincent’s own ambition, mellowness, and honesty on Barriers. Johns also mixes the album and provides his own gifted instrumentation.
Vincent’s core band (Anna Corcoran on piano, vocals; Jim Kimberley, drums; Danny Williams, bass; Adrian Gautrey, guitar, keys) are gathered under the eye of engineer Jon Withnall (Coldplay, I Am Kloot) and performed the music live in the studio with the addition of guitarist Joe Coombes. They are ably adept at the musical shifts and changes on the album which keep one foot bedded in Americana rock whilst moving towards a more English singer songwriter sound. Robert continues to tour extensively showing his versatility as both a solo performer and with a full band. Notable past performances include 2023 Celtic Connections at Glasgow Theatre Royal with Mary Chapin Carpenter, showcase performances at Americana Fest in Nashville, Tennessee, supporting Roger Waters at Hyde Park,Tours with Paul Carrack and Duane Eddy.Tours around and after the album are booked for this year showcasing the consummate andsearingly honest songwriting of this talented artist.
Countin' The Miles [Indie Exclusive Limited Edition Autographed, Transparent Camo LP]
Vinyl: $28.98 Buy
For singer/songwriter Jesse Daniel, country music is nothing short of a life force. Hailing from a rural mountain town on California’s Central Coast, the Austin-based artist first explored his innate passion for music by playing drums in punk bands, then drifted down a troubled path that included years of battling addiction and spending time in and out of jail and rehab. As he took his first steps toward getting clean, Daniel immersed himself in the pure joy of writing country songs, fully embracing the unbridled vitality of California country and bringing a lived-in honesty to his lyrical storytelling. Since releasing his 2018 self-titled debut on his own record label, he’s earned great esteem as a country traditionalist and built a wildly devoted international following—thanks in no small part to his freewheeling live show and tendency to tour nearly 200 days a year. Recently signed to Lightning Rod Records, Daniel now offers up his fourth studio album Countin’ The Miles: a high-powered body of work born from his ardent belief in preserving country’s legacy.
Russell County, Virginia-based 49 Winchester is following up their 2022 breakthrough hit, Fortune Favors The Bold with their latest album, Leavin’ This Holler. Since their last release in 2022 the band has mined success across the globe by playing multiple sold out tours in the US as well as a sold out run of arena concerts opening for Luke Combs across Europe. Crowds have celebrated and supported this band across the globe and the band’s hard workin ways continue to help build their devoted following.
Leavin’ This Holler is a soulful anthem of liberation and renewal. The album narrates a journey of breaking free from the chains of the past to pursue happiness and freedom. With a resolute spirit and a clean washed heart, 49 Winchester embraces change and sets out on a quest for new heights. Fortune has favored these bold boys and fueled by determination and the promise of a bright future, ‘Leavin’ this holler’ is a powerful ode to resilience and the pursuit of personal fulfillment.
Celebrating its 50th anniversary, Back Home Again was a multiplatinum #1 album for John Denver that includes the huge radio hits “Annie’s Song” and “Back Home Again,” along with fan favorites like “Thank God I’m A Country Boy” and “Sweet Surrender.” Available on black vinyl.
The color green can represent many things. It can symbolize money, of course, but also weed. And envy. It implies newness, the rebirth of spring, but it can also evoke illness and infection. It’s an apt name for a band that is defined by its adaptability, by its knack for doing many different things all at once. On the Color Green’s second full-length—their first as a quartet—they ground their cosmic jams in earthy melodies, drawing from ‘60s SoCal folk-r0ck, ‘70s classic rock, ‘80s underground rock, ‘90s psychedelic dance-rock, and many other sources. In the two years the band has been touring, it has already shared stages with a range of groups that reflect both the sophistication and the wild malleability of their sound, including Fuzz, Kikagaku Moyo, Circles Around the Sun, and Young Guv. “When we play live, I don’t really know what’s going to happen,” says guitarist Noah Kohll. “You really have no idea what you’re going to get with this band, which keeps things fresh for us and maybe makes the live experience special.” Adds drummer Corey Rose, “One thing about this band that I really appreciate is that we can camouflage into any environment or any show. We can play with Hiss Golden Messenger and lean into that funky country vibe, or we can play with the Brian Jonestown Massacre and get evil. We all love a variety of music, so let’s not put ourselves in a box.” That wild, mercurial quality is reflected on Fool’s Parade, a meditation on loss, grief, confusion, frustration, and the clarity to which they all lead. Their songs are vehicles for self-explorations, not just a means of putting their feelings into lyrics and notes but molding them, night after night, into different shapes to get different insights. “I feel like that’s the endless spiritual journey of this band,” says Madden. “There’s always this thing that is mysterious, that you can never put your finger on. Music is a way to give yourself ground within the unknown. It’s a way to convene with something outside yourself, whether you call that the muse or God or the collective unconsciousness or whatever. Maybe that’s relatable to people because we live in a very noisy and confusing world. Everybody’s trying to find that ground.”
When the Amsterdam singer-songwriter Jana Mila (pronounced Yah-nuh MEE- lah) began writing a song called “Chameleon,” she thought she was writing about someone else—a friend who seemed to be changing her colors to please other people. “But the more I lived with the song, the more I felt like I was writing about myself,” she admits. “Doesn’t everybody try to reflect other people? Don’t I change my own colors in order to be accepted? Especially when you’re young, you can lose yourself in other people if you don’t know who you are.” That is the central idea behind her debut album, also titled Chameleon, which introduces Mila as an artist deeply committed to self-reckoning and self-possession. Our innate desire to belong and to be loved can lead to a kind of self-annihilation, making us strangers to ourselves. Writing songs is her means of finding and sustaining her identity.“The album is a conversation with myself, a way of getting to know myself better. There are little fears woven into every lyric, but there’s also advice to myself. I’m writing to find a part of myself that has some wisdom.” Musically, Mila is the best kind of chameleon. The album draws from a wild array of sources, entertaining new ideas on every song: dusty Laurel Canyon folk on “It’s True,” catchy Nashville country on “Let Me In,” driving ‘70s rock on “I Wasn’t Gonna.” She puts her stamp on every note, turning those fears into an album of remarkable confidence, eloquence, and power. Chameleon is a self-portrait rendered in vibrant detail.
“There's a lot of existential stuff in these songs,” says Amos Lee. “If you really listen to what's in between the lines, there's a lot of grappling with your place in the world, grappling with loss. There's a lot of grappling with the balance between bailing out the boat and rowing at the same time—the experience of writing music and playing songs while trying, as we all are right now, to make sense of a world that feels like it's changing really quickly.” On his eleventh studio album, Transmissions, singer-songwriter Lee continues to expand his sonic range while sharpening his closely observed lyrics that squarely address death, aging, and love. The force behind such acclaimed albums as Mission Bell and Mountains of Sorrow, Rivers of Song, ever since his gold-selling 2005 debut Lee has been known for his association with a long list of collaborators and touring partners, from Paul Simon to Zac Brown Band. For the new project, he craved a return to an old-school style of recording, working with his longtime band in a studio in rural Marlboro, New York that was built by drummer Lee Falco and his dad out of reclaimed wood from an old church (“it’s exactly what you’d think a studio in upstate New York should be,” notes Lee). Playing live on the floor for long hours, in close quarters, they were able to capture the album’s twelve songs in less than a week. “I really wanted us to be all in the room, making music together, listening to each other and responding to each other,” says Lee. “In this age where you can do everything at home and fly it in, there’s something really beautiful about getting in a room and starting at the top, the drummer counting in the song and everybody just playing. I would call it vulnerability.”
Johnny Cash recorded an album’s worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world’s greatest songwriters, introducing him to a new generation of fans. Songwriter’s unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.
A truly one-of-a-kind artist, Kaitlin Butts has a deep affinity for country music’s more theatrical side: the extravagant storytelling, dazzling showmanship, songs embedded with both unbridled emotion and quick-fire humor. After discovering her passion for performing as a little girl, the Tulsa native later brought her boundless energy and radiant voice to her own unapologetic yet soulful songwriting. When it came time to create her third album, the Nashville-based musician leaned into her lifelong love of musical theater and dreamed up a modern-day reimagining of the soundtrack to her all-time favorite musical, Rodgers and Hammerstein’s Oklahoma! The result: a high-concept but candidly autobiographical LP called Roadrunner!, whose 17 powerhouse songs show the full force and extraordinary depth of Butts’ artistry for the very first time.
Produced by Oran Thornton (Brent Cobb, Logan Brill), Roadrunner! marks a major tonal shift from Butts’ 2022 sophomore LP what else can she do, a character-driven exploration of complex matters like addiction, domestic violence, and generational trauma. “With the last album I wanted to write about the struggles I’d seen people go through or experienced myself, so a lot of the songs had a sadness or darkness to them,” she says. “I feel like Roadrunner! is much closer to what I’m like onstage, where there’s real emotion and truth but also humor and a tendency to poke fun. It’s all those different versions of me at once.”
Twenty-three albums and several million miles after he first hit the road, Joe Ely presents his first road album Driven to Drive. The collection of songs about and inspired by motorized travel was curated by Ely, who in the mid-1970s swept off the flat plains of the Llano Estacado of West Texas like a whirling tornado, fronting a legendary band that was too rock for country, and too country for rock. The wild, wide-open honky-tonk roadhouse sound of the Joe Ely Band gave their hometown of Lubbock its first music hero since Buddy Holly.
The project stitches together recordings made at Spur Studios, his home recording facility outside of Austin, over several decades, assisted by musician/neighbors Joel Guzman on accordion, keyboardist Bill Guinn, singer Eddie Beethoven, and fiddler Richard Bowden. Last year at The Zone in Dripping Springs, Texas, Jeff Plankenhorn added his guitar to three tracks and engineer Pat Manske, who mastered Driven to Drive, added percussion.
Movement in these songs is measured in many ways: cars, sixteen-wheelers, motorcycle, Greyhound bus. There are pedal-to-the-metal anthems ginning down a straight strip of two-lane blacktop; a lazy meander on the Gulf blues highway; a tale of going on the lam on the Interstate; stories of getting from Here to There, and songs about going nowhere at all
The Lord of the Highway is calling. Joe Ely wants to take you for a ride.
After commemorating the 25th anniversary of her groundbreaking, genre-defying I Am Shelby Lynne album this year, the Grammy award winning artist is releasing her much-anticipated new project C
Aaron Lewis grew up in Springfield, Vermont, listening to his grandparents’ Country 8-track tapes. Those roots inspired the multi-platinum STAIND founder to return to his origins for the No. 1 Billboard Country Album debuts Town Line and Sinner, as well as Billboard’s No. 1 Hot Country Song debut “Am I The Only One.” Lewis has put a traditionalist brand on his outlier Country, and with his new album The Hill, the 15 million-selling workingman’s star offers his most personal and unplugged collection to date.
In 2024, Mountain Stage will release Live on Mountain Stage: Outlaws & Outliers via Oh Boy Records compiling some highlights from the program, curated by the show’s co-founder and longtime host Larry Groce. With four decades worth of recordings in its archives, many documenting artists in their formative years, this is bound to be an essential release. "I’ve had the privilege of listening to some of these tracks and they’re just jaw-droppingly gorgeous" says Groce. Net profits from the album’s release will benefit the program.