This is not a greatest hits album, despite the the title. It contains all-original songs written by Chan Marshall (professionally known as Cat Power), and features the great memphis session musicians. Teenie Hodges on guitar, Leroy Hodges on bass (Al Green, Hi Rhytms Section), drummer Steve Potts and mroe. The combation of Marshall's superbly evocative and flexible voice plus some of the greatest Southern soul player, has prodcued a masterpeice. These songs explore themes of Southern loss, longing and marginality. The limited first digipak pressing and regular single vinyl contain a onus track. After the first pressing sells out, the regular jewelcase version will not cotain a bonus track.
Reviews:
For over a decade, Chan Marshall, the one-woman train-wreck-in-a-good-way behind Cat Power, has come off like a busker straitjacketed in Jefferson Airplane's "White Rabbit" jabberwocky. It's almost impossible to conceive of a world where she could exist independently of the adjectives "hushed," "stripped-down" or "minimalist." Good thing we said "almost," because Marshall has surprisingly turned the tables with The Greatest, a busy-bordering-on-rollicking (at times) new full-length of originals, with vigorous playing from Mabon "Teenie" Hodges and Leroy "Flick" Hodges, the guitar and bass brothers who helped shape Al Green's signature sound. Marshall's subject matter cottons well to the upbeat, soulful approach; the title track is-you guessed it-about a fledgling boxer (thank you, Muhammad Ali). The 12 songs in full conjure vintage Cowboy Junkies, as Marshall's southern drawl continues to intoxicate. The big question now: will she bring her ringers on tour, and how will they tolerate a freakout free-form tangent?